PLATFORM/DE GRAAF Reiner Four Wall And A Roof (2017)
PLATFORM/DE GRAAF Reiner Four Wall And A Roof (2017)
241220
The book, published by Harvard University Press, consists of a collection of essays that brings together Reinier de Graaf’s thoughts about architecture in the 21st century as well as accounts of some of his own tragicomic experiences in the field.
Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from suburban New York to the rubble of northern Iraq, from the corridors of wealth in London, Moscow, and Dubai to garbage-strewn wastelands that represent the demolished hopes of postwar social housing. We meet oligarchs determined to translate ambitions into concrete and steel, developers for whom architecture is mere investment, and the layers of politicians, bureaucrats, consultants, and mysterious hangers-on who lie between any architectural idea and the chance of its execution.
Four Walls and a Roof tells the story of a profession buffeted by external forces that determine – at least as much as individual inspiration – what architects design. Perhaps the most important myth debunked is success itself. To achieve anything, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest. Together, architects, developers, politicians, and consultants form an improvised world of contest and compromise that none alone can control.
The book, published by Harvard University Press, consists of a collection of essays that brings together Reinier de Graaf’s thoughts about architecture in the 21st century as well as accounts of some of his own tragicomic experiences in the field.
Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from suburban New York to the rubble of northern Iraq, from the corridors of wealth in London, Moscow, and Dubai to garbage-strewn wastelands that represent the demolished hopes of postwar social housing. We meet oligarchs determined to translate ambitions into concrete and steel, developers for whom architecture is mere investment, and the layers of politicians, bureaucrats, consultants, and mysterious hangers-on who lie between any architectural idea and the chance of its execution.
Four Walls and a Roof tells the story of a profession buffeted by external forces that determine – at least as much as individual inspiration – what architects design. Perhaps the most important myth debunked is success itself. To achieve anything, architects must serve the powers they strive to critique, finding themselves in a perpetual conflict of interest. Together, architects, developers, politicians, and consultants form an improvised world of contest and compromise that none alone can control.
